con·crete: adjective/ 1. existing in a material or physical form; real or solid; not abstract.

Like most artists, I've always carved out a place to work that had one criteria:  available space.  Working for years in a 100 year old sleeping porch without heat or cooling; on the living room floor covered in plastic; pinning canvases on round hay bales to finish; tacking canvases up on the side of the house or barn, and on clotheslines.   Most recently I've been working between an abandoned basketball court and an upstairs bedroom with a wall knocked out, hauling paints and water and extension cords out to the court 50 yards from the house, hefting stained canvases back upstairs to finish, stretching canvases in the front hall, storing in the basement, maneuvering large finished work over a balcony when it won't go down the stairs.   So many stairs, so many 30 yard rolls of canvases and hoses and cords and pounds of paints and brushes on the move.

After years of dreaming and planning for this new studio,  I've begun working on the completed concrete pads that are on two sides of the studio.  There's shade, water, electricity.  The surface of the concrete is perfectly to spec:  a tiny bit of texture to prevent slipping when it's wet, but not enough to impact brush strokes on raw canvases laying flat, and smooth enough to avoid tearing up bare feet.   Sawed cracks form golden ratios in key places for cutting canvases to size.  It tilts a little less than industry standard, 1" over 15', so the paint will stay put when poured on canvas.  The canvases can move directly from the pad, up 3 stairs and inside the studio to eventually pin on walls.  The paints move on a table on wheels between work areas.

The ease and grace!  Looking up from the intensity of the design, details, numbers, drawings and actual building, I'm catching a glimmer of how this can be.

The ever changing concrete patinas begin.

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Detritus

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Building a Studio: Concrete Ballet (The Largest Tool)